Max and Ruairí detail their personal histories with Deerhoof.
Diary: Fondly Remembering Festivals
Rounding up a well-overdue collection of memories from this year’s IFFR, Berlinale, and online festivals.
3 Songs that Got Us Through the Year
As the title suggests, this list collects our contributors’ 3 songs that got them through this hell-year.
Compilation: Dogme Year Zero
Hello and welcome to the first-ever crossover episode between Ultra Dogme and Cinema Year Zero.
Dogme Year Zero: The Filmmaker’s Co-op
by paul a. Since the start of November, I’ve been part of a special film club of sorts: one hosted weekly at the Filmmakers Co-op in New York, […]
Dogme Year Zero: Microphones in 2020
by Ruairí McCann Knowing no one understands these songs,I try to sing them clearer.Even though no one has ever asked:”What does Mount Eerie mean?”I have tried to repeatedly […]
Dogme Year Zero: Topographies of Adolescence
In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients.
‘Secession From The Broadcast’ by Gene Youngblood
Today we are very excited to share with you the full PDF of a lecture by renowned theorist Gene Youngblood. Titled Secession From The Broadcast, it was first […]
DVD Review: ‘The Angel Cycle: Selected Works’ by Maria Klonaris + Katerina Thomadaki (Re:Voir Video)
Re:Voir has recently released a modest gem of a set: selected works from The Angel Cycle, by Maria Klonaris and Katerina Thomadaki – the first-ever home video release which samples from the duo’s vast body of work.
Forever the Geography: National Mutability in ‘Krabi, 2562’ (2019) + Nazar’s ‘Guerrilla’ (2020)
Looking over what I have seen and heard in this mess of a release year so far, I realized that two of my favourite works of art – one a movie, another an album – are tied together by their decision to depict a particular place, or identity, with an intentional formal wooliness.