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Ultra Dogme

film criticism

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Listening After 5 Years
Music

Listening After 5 Years

Posted on: February 17, 2021

Around the end of 2015, Alex Tripp had the idea to start keeping track of the music he’d heard.

Correspondence: Deerhoof
art / Correspondence / Festival Coverage / Music / Pop-Kultur 2019

Correspondence: Deerhoof

Posted on: February 5, 2021January 30, 2024

Max and Ruairí detail their personal histories with Deerhoof.

3 Songs that Got Us Through the Year
art / Best of the Year / Music / Reviews

3 Songs that Got Us Through the Year

Posted on: December 28, 2020

As the title suggests, this list collects our contributors’ 3 songs that got them through this hell-year.

Compilation: Dogme Year Zero
art / Berlinale 2020 / Best of the Year / Dogme Year Zero / essay / Festival Coverage / Film / Music / Reviews / Video

Compilation: Dogme Year Zero

Posted on: December 23, 2020

Hello and welcome to the first-ever crossover episode between Ultra Dogme and Cinema Year Zero.

Dogme Year Zero: Microphones in 2020
art / Best of the Year / compilation / Dogme Year Zero / Film / Music / Video

Dogme Year Zero: Microphones in 2020

Posted on: December 23, 2020

by Ruairí McCann Knowing no one understands these songs,I try to sing them clearer.Even though no one has ever asked:”What does Mount Eerie mean?”I have tried to repeatedly […]

Dogme Year Zero: Topographies of Adolescence
art / Best of the Year / compilation / Dogme Year Zero / Film / Music

Dogme Year Zero: Topographies of Adolescence

Posted on: December 23, 2020

In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients.

2020 in Music
Best of the Year / Music / Reviews

2020 in Music

Posted on: December 18, 2020

Between the week-long disassociating spells and doom scrolling through the slow moving apocalypse, these albums acted as an anchor.

Forever the Geography: National Mutability in ‘Krabi, 2562’ (2019) + Nazar’s ‘Guerrilla’ (2020)
art / Film / Music / Reviews

Forever the Geography: National Mutability in ‘Krabi, 2562’ (2019) + Nazar’s ‘Guerrilla’ (2020)

Posted on: July 24, 2020

Looking over what I have seen and heard in this mess of a release year so far, I realized that two of my favourite works of art – one a movie, another an album – are tied together by their decision to depict a particular place, or identity, with an intentional formal wooliness.

Committed Distancing: On Car Seat Headrest’s ‘Making a Door Less Open’ and Drake’s ‘Dark Lane Demo Tapes’
Music / Reviews

Committed Distancing: On Car Seat Headrest’s ‘Making a Door Less Open’ and Drake’s ‘Dark Lane Demo Tapes’

Posted on: May 11, 2020

Bitching about fame is commonplace in popular music, and bitching about a musician’s bitching is just as recurrent a talking point as well.

“Lil Uzi Vert, to Be Exact”: On Eternal Atake/Lil Uzi Vs. The World 2
Music / Reviews

“Lil Uzi Vert, to Be Exact”: On Eternal Atake/Lil Uzi Vs. The World 2

Posted on: March 23, 2020

If anyone were to ask you for either a time capsule of rap music in 2016, or an embryonic example of the seedlings of what’s become one of hip-hop’s equally richest and bewildering creative eras yet, you’d simply have to present them the 2016 XXL Freshman Cypher…

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