On the occasion of a retrospective at 25 FPS Festival in Zagreb, Ejla Kovačević interviews German-Japanese film artist Sylvia Schedelbauer
The Scale of Being: Linnea Nugent’s Haptic, Semi-Handmade Images
An introduction to the work of New York filmmaker Linnea Nugent, streaming Dec 8-22 in the Movie Club.
Stream: ‘Gestures’ by Vincent Guilbert
October’s Movie Club stream: GESTURES by Vincent Guilbert
Celluloid Now, More Than Ever
by Olivia Hunter Willke On my way home from the first program of the all-analog avant-garde film festival organized by the Chicago Film Society, Celluloid Now, I received […]
Looking for Clues: Mary Helena Clark’s First Films
by Sam Warren Miell At a certain point in the career of an artist, early work will begin to be regarded as a repository of clues to understanding […]
Five Films by Ellie Epp
A 2-week streaming program of five films by Ellie Epp, alongside an essay by Sophia Satchell-Baeza.
Dancing Towards Oblivion – The Cinema of Teo Hernández
“I was thinking about the movement of my films that seem to shake in a dream linked to the movements of oblivion: it is an agitated, hallucinated movement, a relentless swing… The shaken film emerges from these bruises: from a confrontation between the filmmaker and oblivion. The theme of my films is oblivion, which is why it is inexpressible.” – Teo Hernández
“Joy in the Small”—An Interview with Blanca García
by Maximilien Luc Proctorwith editorial assistance from phili c. For the occasion of Revista Lumière’s upcoming NYC program (May 13 & 14th)—Colección Privada: The Super 8 and 16mm […]
Movie Club #3: ‘Darkness, Darkness, Burning Bright’ (2022) by Gaëlle Rouard
Starting today, April 14th, Darkness, Darkness, Burning Bright is available to stream for Ultra Dogme’s Movie Club subscribers for two weeks, through April 28th. 50% of the income […]
Translation: Raymond Bellour on ‘Flo Rounds a Corner’ (1999)
Christian Flemm translates Raymond Bellour’s 2006 article on ‘Flo Rounds a Corner’.