Happy International Women’s Day!
Fox Maxy: Framing the Land
by Laia Nadal I often think about films that, as Susan Sontang would say, are a vast repository of images that make it difficult for us to forget. […]
Gina Telaroli: Reimaging
by Liam Kenny It was during Light Industry’s showing of William Wellman’s Good-bye, My Lady that I first saw Gina Telaroli take a picture of a cinema screen […]
In and Out Front of You: An Interview with Tenzin Phuntsog
A.E. Hunt speaks with artist Tenzin Phuntsog about his works at the Berlinale Forum Expanded, showing through March 5th.
The Raw and the Cooked: Larry Gottheim’s ‘Corn’ (1970)
Corn captures a static, but never contained view of an ordinary moment in the kitchen, accounting for the ways in which evening sunlight falls into the room and emanating vapor textures the air.
Carolee Schneemann at Spectacle
Cinematic films and performance documentation have often been separated categorically. Yet, Carolee Schneemann’s films push against these distinctions, whether by painting with her camera or mirroring back moments in time.
Nursery Rhymes: Three Films by Esther Shatavsky
A 10-day streaming program of three films by Esther Shatavsky, alongside the first major interview with the filmmaker.
Ghost in the Machine: ‘Hole in the Head’ (2022)
Hole in the Head, the new feature from Dean Kavanagh, is a wonderfully labile rendition of cinematic obsession as a simultaneously profound, absurd, deracinating, and visceral experience.
Cinema is an Open String: Two Early Shorts by Isiah Medina
“Looking at Medina’s earliest work, specifically Semi-auto colours and Time is a sun (2012) reveals much of his ambitious form and preoccupations already set in motion.”
A lecture by Gregory Markopoulos delivered at Kent State University, June 30, 1968
The following text originally appeared in the Whitney Museum of American Art book, Gregory J. Markopoulos: Mythic Themes, Portraiture, and Films of Place (1996).