In these strange, scary and all around unprecedented times, there’s a considerable fret to find the most “relevant” film to best encapsulate what feels like a consistently devolving, worldwide health crisis.
The Ultra Dogme Virtual Film Festival 1: From a Distance
Welcome to the first Ultra Dogme Virtual Film Festival. We are excited to be trying something new.
Announcement: Ultra Dogme’s First Virtual Film Festival
We’re starting a virtual film festival this Saturday, March 21st.
Album Review: ‘Mystic Familiar’ by Dan Deacon
Dan Deacon – in his lyrics, interviews and in the goofball soapbox aspect of his live performances – is loose-tongued and lucid about the headspace which produced his fifth and newest album, Mystic Familiar (2020)
Women’s Day: “Stuck on this bridge of friendship” – An Interview with Ivana Mladenović
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović.
Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities
“Feeling lonely? I’ll lend you a cat.”
Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski
Žarko Urošević walks us through the perfect encapsulations of struggle, fear, failings, and humanity that make up the music of Mitski.
Women’s Day: Three thoughts on Ute Aurand
Three thoughts offered on 16mm works by German experimental filmmaker Ute Aurand.