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On Physicality and Proximity or How “Live/Online” Shows Set the Screen for a New Club Culture
Best of the Year / Music

On Physicality and Proximity or How “Live/Online” Shows Set the Screen for a New Club Culture

Posted on: March 11, 2021

“Whether through imperfection, glitches, or plurality, club culture did not die in 2020. No hierarchy intended, with this list I want to highlight some of the most powerful live/online performances.”

Listening After 5 Years
Music

Listening After 5 Years

Posted on: February 17, 2021

Around the end of 2015, Alex Tripp had the idea to start keeping track of the music he’d heard.

Correspondence: Deerhoof
art / Correspondence / Festival Coverage / Music / Pop-Kultur 2019

Correspondence: Deerhoof

Posted on: February 5, 2021January 30, 2024

Max and Ruairí detail their personal histories with Deerhoof.

Dogme Year Zero: Microphones in 2020
art / Best of the Year / compilation / Dogme Year Zero / Film / Music / Video

Dogme Year Zero: Microphones in 2020

Posted on: December 23, 2020

by Ruairí McCann Knowing no one understands these songs,I try to sing them clearer.Even though no one has ever asked:”What does Mount Eerie mean?”I have tried to repeatedly […]

2020 in Music
Best of the Year / Music / Reviews

2020 in Music

Posted on: December 18, 2020

Between the week-long disassociating spells and doom scrolling through the slow moving apocalypse, these albums acted as an anchor.

Committed Distancing: On Car Seat Headrest’s ‘Making a Door Less Open’ and Drake’s ‘Dark Lane Demo Tapes’
Music / Reviews

Committed Distancing: On Car Seat Headrest’s ‘Making a Door Less Open’ and Drake’s ‘Dark Lane Demo Tapes’

Posted on: May 11, 2020

Bitching about fame is commonplace in popular music, and bitching about a musician’s bitching is just as recurrent a talking point as well.

“Lil Uzi Vert, to Be Exact”: On Eternal Atake/Lil Uzi Vs. The World 2
Music / Reviews

“Lil Uzi Vert, to Be Exact”: On Eternal Atake/Lil Uzi Vs. The World 2

Posted on: March 23, 2020

If anyone were to ask you for either a time capsule of rap music in 2016, or an embryonic example of the seedlings of what’s become one of hip-hop’s equally richest and bewildering creative eras yet, you’d simply have to present them the 2016 XXL Freshman Cypher…

Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski
art / Music / Women's Day 2020

Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski

Posted on: March 8, 2020

Žarko Urošević walks us through the perfect encapsulations of struggle, fear, failings, and humanity that make up the music of Mitski.

Album Review: ‘Circles’ by Mac Miller
Music / Reviews

Album Review: ‘Circles’ by Mac Miller

Posted on: January 28, 2020

When it comes to reevaluating posthumous releases from recently passed rappers these past few years, it’s been best to cede a little more slack than usual to the overall integrity of such projects, given the ever-growing porousness of release guidelines.

Album Review:  ‘Phantom Rhythm 幽靈節奏 (幽霊リズム)’ by Gong Gong Gong
Music / Reviews

Album Review: ‘Phantom Rhythm 幽靈節奏 (幽霊リズム)’ by Gong Gong Gong

Posted on: January 2, 2020

by Ruairí McCann [bandcamp width=100% height=120 album=2418831432 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small] There are numerous landmarks set to be struck here on the eve of the 2020s but […]

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